21 Sep
2010

Wildflower abstract, Mt. Rainier


As the old saying goes: if you can’t beat ‘em, join ‘em. As outdoor photographers, we are often at the mercy of the elements. Actually, we are always at the mercy of the elements. Despite our best efforts to arm ourselves with weather forecasts or to pray to obscure photo gods for benevolence, in the end the weather will do what it wants. All we can do when nasty weather comes our way is to pack up and go home, or go with the flow.

“Going with the flow” is in many ways a critical component of my quest to make Dreamscapes. Studies of motion over time using long exposures can be very effective in creating images with unique and dreamy looks. So when conditions aren’t very good for more traditional types of photography, I switch gears and start thinking of making photos of a more abstract nature.

"Whirling" - Lupine abstract, Mt. Rainier

"Whirling" - Lupine abstract, Mt. Rainier

My series of Mt. Rainier photos has one such example. I climbed up into the lupine fields of Mazama Ridge at sunset one dreary evening. The wind was blowing hard, and clouds obscured the western horizon, as well as Mt. Rainier itself most of the time. The light was uninspiring, and the flowers were dancing like whirling dervishes. In moments like these, it is important to resist the temptation to pack it in, for two reasons. One, you never know if the weather is going to suddenly break and give you the sunset of a lifetime. Two, you can still make effective imagery, even if conditions are bad, if you start thinking creatively.

So instead of trying to freeze the motion of the flowers with a high ISO, I decided to go with the flow. I tried several shutter speed variations, waiting for a strong gust of wind and for the mountain to peek out from behind the clouds before triggering the shutter. I probably took around 20 or 30 frames, which is not unusual when working in chaotic conditions. What I was looking for was an image with just the right amount of motion blur in the flowers, which is a highly subjective determination. Upon reviewing the image files when I returned home, this is the one I picked as having that “right amount.” Because it lacked vibrant color, I decided to convert the image to black & white. Although I try not to let Photoshop dominate my photographic process, black & white conversion is one obvious exception I exploit with glee.

This image will likely never make it into the permanent photo galleries on my website. Although I like certain aspects of this shot, some aspects I’m not sold on. I wish that the clouds above Mt. Rainier had a shape that relates better to the abstract shapes formed by the whirling flowers in the field. The shape and character of clouds is an important component of my work, so perhaps I’m overly picky, but one has to be ruthlessly critical of their own work. In the meantime, I will keep experimenting with this technique—one day I’ll find what I’m looking for. 

Technical data: Canon 5D Mark II camera, 17-40mm lens, ISO 100, f/16, 0.6 seconds.

About Ian Plant  (275 Posts)

Ian Plant's photographs and instructional articles have appeared in a number of books, calendars, and magazines, including Outdoor Photographer and Popular Photography. Ian writes a regular blog column for Outdoor Photographer online, and he is the author of numerous instructional eBooks and digital processing tutorials. Ian leads several photo tours each year.


4 Comments

  • Nice. I would like to see the color version to compare.

  • Thanks Marcus. Sorry, I discarded the color in making this conversion, so I don’t have a color version anymore to compare this with.

  • Hey Ian, what do you do with your photos that don’t make it into your permanent galleries? Anything in particular?

  • Hi Taylor, many photos that don’t make it into my permanent galleries end up getting used somewhere else, like on my blog, my print books and ebooks, or they get published by magazines and in articles. There’s a lot that never see the light of day – I’ve got a bunch of unprocessed raw files sitting in an external hard drive on my bookshelf. Every now and then I’ll rescue an image from the “digital dumpster,” but most that end up there, stay there!


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